Tuesday, 21 December 2010
Filming - The First Sequence
Monday, 20 December 2010
Storyboarding
Shot List
The Kickables Script
The main characters Sam, Josh, Adam & Matt are stood outside their local Secondary School looking for trouble, they are dressed in makeshift costumes, using such things as face paint, paper masks and 3D glasses to cover their identities.
(All speech listed below is Voice Overs)
Matt: DANGER! Ha you weren’t expecting that were you?
I’m captain awesome and I’ll be your superhero for your lifetime!
I became a superhero because I felt the urge to bring justice to the world… well Bristol at least… and also for the chicks. Superheroes get the ladies… hopefully. Of course there is also Sam… (17.5secs)
Sam: Cheers Matt. Hey I’m the mysterious man. Ever been called a queer or a bit of a loser. I have. So I made a stand against crime. Injustice is everywhere and its up to me and my fellow partners against crime to do something about it.
Lets not forget josh… (18secs)
Josh: Thanks Sam. Mega Boy is my name. Kicking crime is my game. I stare punches in the face. I became a superhero because I was bored at home and mum says I need to get out more. I’m called mega boy because I am unusually tall for a sidekick.
Now over to Protector… Adam? Adam? (17.2secs)
Adam: Hey hows it going?
Josh: Its going good… Remember were supposed to say a bit about ourselves…
Adam: Alright lets get to it! I’m Adam and I like Doritos. Best game of the year Fifa 11, EA you fucking did it with that game…
Josh: No no no… you are supposed to tell them about your superhero!
Adam: Oh okay… I’m Protector and I’m an alcoholic.
Josh: Perfect…
Matt: Wait you’re an alcoholic?
Sam: You actually serious?
Adam: Well not really, I mean it only counts if you throw up right?
Suddenly Matt spots something on the ground. He picks up a pack of cigarettes.
Matt: (Disgusted) It's cigarettes!
The others look at him seeing what to do next.
(Dialogue from this point is diegetic, unless specified)
Matt: (Shouted) Look over there!
Matt points in the direction of what he's seen. Josh, Sam and Adam all look to where he's pointing. There are two hooded youths stood over by the trees. Matt pulls out his lightsaber.
Matt: Let's go!
All four characters run in the direction Matt pointed to earlier. The youths hear the Kickable arriving and turn around, our heros stop just in front of them.
Youth 1: What the fuck?
The Kickables prepare for battle.
Josh: Alright pricks it's go time!
The Kickables advance on the youths. The screen cuts away to a twenty seconds later sign, when we return wes see Sam, Josh and Matt in a heap on the floor. The youths pick up and carry Adam over then drop him on the pile.
Youth 1+2: (While fist bumping) Yeah!
Enter title credits. At the end of the title credits, cut to a shot of the school, with six weeks earlier labelled in the top left hand corner.
Sam: (V.O) We never used to be hero's, just ordinary guys.
Sam and Adam walk throught the school gates on the left side.
Sam: (V.O) See there's me and Adam back in the day. You may be wondering why there's just us two, well let's say we never used to see eye to eye.
Josh and Matt walk throught the school gates on the left hand side.
Sunday, 19 December 2010
Textual Analysis - Bruce Almighty

From 2:20 to 3:20...
{Thats the way the cookie crumbles.}
Bread and pastries to show that they are in a bakery. Lots of people shows town goinng about their everyday lives. (comedy about life). Parking signs, shop windows, people from different working backgrounds.
Camera
The camera shake shows that they have a low budget for the clip during the medium shot of Bruce and the two bakery workers. This makes the viewer realise that he is at the bottom of his field of work. The obvious camera jump highlights the mistake and reiterates the low budget feel of the sequence. As the camera shakes some of the heads of the characters get cut off. [Low budget]
Slow motion. There is no point to it. It is simply for humerous purposes only. Spontanious and random. (We should be carful when using random comedy in our piece because we dont want to lose the structure of the story). The cuts are relatively average paced as it is meant to seem like an average film with a twist.
Non diegetic: Chariots of fire is popularly known for its sporting references in running races. Ironic that it was after Bruce said 'que the cheesy inspirational music!'. (3:02) Music fades out when scene changes (sound bridge).
Textual Analysis - Hot Fuzz

Sequence from 10mins20 to 13mins29...
Mise en Scene
The viewer instantly recognises they are in a pub as there are lots of drinks, glasses and the room is poorly lit. The hight sign in the police station is a stereotypical thing you would see. All the mise en scene plays on the conventions of the locations perfectly.
Camera
The slow zoom (10:30) shows that we are travelling into Angels mindset and he is about to realise something. The fast tracking shot shows his perception as he look around the room. When the camera is on him, he is in focus as he is the one with the power. There is a low angle shot of him when he approaches the table which shows the teenagers as inferior.(10:53). Match on action on the door of the car and the police station shows his haste and desperation as it is a quick cut and appears rushed.
Editing
The blur on the fast tracking shot has been edited in to show the pace of his perception and the fact he cannot believe his eyes. SHOCK. During the processing scene there are a lot of bright flashing transitions to show all the pictures and evidence being taken. Time is shown to pass through the use of superimposition on his hand to show he had a lot to write. Fast motion is used to show his efficiency with his job.(An ellipsis passes)(13:12)
Sound
Firstly there is diegectic pub music to set the scene. Soon after a non diegetic beat is heard which builds in volume leading up to Angel questioning the teenagers. This symbolises his heart rate as he realises crime is near.
Hardcore music is used in the processing scene to create a serious contrast in mood. contrast=humour.